Gheyzhak-e Koli   |   2008
Dastan Ensemble, Homayoun Shajarian
Composed by Hamid Motebassem in the Shour & Dashti mode, composed on the poetry of Rumi, Sa'di, Hafez, Shafiee Kadkani and Hamid Motebassem.

Saaz-e Dastan   |   2006
including instrumental parts of Hanaie, Shoorideh, Gol-e Behesht
 

Loolian (Gypsies)   |   2005
Dastan Ensemble, Shahram Nazeri
composed by Hamid Motebassem In the Dashti mode, composed on the poetry of Rumi

Raghse Naaz (Dance of Coquetry) and Vanoshe   |   2005
Aref Ensemble, Dastan Ensemble
Part I: Raghs-e Naaz (Dance of Coquetry), a piece for Tar and the Orchestra of National Instruments in the Chahargah mode.
Part II: Vanoshe, a piece for Setar and the Orchestra of National Instruments, based on a Mazandarani melody. This work, a combination of the two instrumental pieces, Baamdaad and Booy-e Norooz has been produced for those interested in instrumental music.

Mah Aroos   |   2005
Dastan Ensemble, Sadigh Tarif
composed by Hamid Motebassem In the Dashti mode with influences from the music of Khorasan, and poetry with the Mashadi accent, composed on the poetry of Bahar, Sayeh and Akhavan.

Gol-e Behesht (Rose of Paradise)   |   2004
Dastan Ensemble, Parissa
Disc I: In the Esfahan mode, composed by Hamid Motebassem on the poetry of Rumi and Saadi
Disc II: In the Abu Ataa mode, composed by Hossein Behroozinia on the poetry of Rumi and Nezami
Published by: Network Medien   [ www.networkmedien.de ]

Shoorideh   |   2002
Dastan Ensemble, Parissa
Disc I: In the Afshari mode, composed by Saeed Farajpouri on the poetry of Hafez, Rumi, Attar, Sa'adi
Disc II: In the Dashti mode, composed by Hamid Motebassem on the poetry of Rumi and Saadi
Published by: Network Medien   [ www.networkmedien.de ]

Zarb'e Tar (Tar & Tombak Duet)   |   2001
Hamid Motebassem, Behnam Samani
In the Homayoun mode

Hanaie (Shade of Henna)  |  2000
Dastan Ensemble, Sima Bina
composed by Hamid Motebassem In the Shushtari mode, based on folk melodies of Khorasan

Journey to Persia (Dastan Trio)   |   1999
Hamid Motebassem, Hossein Behroozinia, Pejman Haddadi
Modulations in the modes, Mahur, Afshari, and Homayoun, with the inclusion of Hossein Behroozi Nia’s piece, Midnight Sun

Saz-e No, Avaz-e No   |   1997
Dastan Ensemble, Shahram Nazeri
composed by Hamid Motebassem In the Raastpanjgah mode, composed on the poetry of Rumi and Hafez

Navaye Darya (Song of the Sea, Setar Solo)   |   1994
Hamid Motebassem
Part I: Esfahan mode
Part II: Nava mode

Booy-e Norooz   |   1992
Dastan Ensemble, Iraj Bastami
composed by Hamid Motebassem
Part I: Booy-e Norooz in the mode of Segah, composed on the poetry of Saadi and Hafez
Part II: The Tasnif or song, Badeye Shabgir (Nocturnal Chalice) by Hafez; the Tasnif, Aghrab-e Zolf by Ali Akbar Sheyda in the Homayoon mode, and Raghs-e Naaz (Dance of Coquetry), a piece for Tar and the Orchestra of National Instruments in the Chahargah mode.

Bamdad (Dawn)   |   1990
Aref Ensemble, Bijan Kamkar
Part I: Baamdaad in the mode of Chahargah, composed on the poetry of Rumi and Hafez
Part II: Vanoshe, a piece for Setar and the Orchestra of National Instruments, based on a Mazandarani melody.